I want to get to so many creative projects. Sitting on paint Shop Pro to update a couple of images reminded me how much I love working with the CG illustrations (see my icon, taken from
one of my offhand dabbles). I have several still to be done and I've not been able to devote enough time to even start it. Rather, the POD has been sucking all of my creative energy and free time.
Sigh. I need to just start posting that and let the chips fall. There are parts of it that are very good, but being a nitpicker myself, I can't help but be winder if I glossed too much there, or should put in more over there instead of falling into exposition. This is a LONG story already...
But especially after having almost finished reading The Lord of the Rings to my son (yes, aloud--and all of it, having followed The Hobbit), I have steadily come to enjoy exposition less and less. I'd rather be long winded than avoid the action in my prose anymore. Oh, and how did I miss this when I last read LOTR? You're told about this great action about to start, and you're getting to this great action, and riding to this great action...and getting to it....and getting to it. Then it's explained what happened in the battle after that fact. This annoyed even my five year old! LOL!
Now, of course, exposition is great and absolutely necessary. I love writing it. But, like with
Guerdon, where I fought to draw out every battle, tech and flight scene, I've really come to resist explaining away what I can do with action. In the POD, I'm mainly referring to a flashback where *cough*exposition*cough* is catching up with one of the main characters and his crew. While there are bits of dialogue inside the exposition, also mentioned is a fist fight that breaks out between another crewman and an alien. It's not taken any further.
Because of the above stated issue, I'm itching to draw out the scene and more within that chunk of information to break it up and make the action not just mentioned but actually meaning something, an example of what the crew is living with and how they're feeling. It's not terribly necessary, as this is coming strictly from the main character's POV and his feelings are what the chapter is dealing with, but his reaction to the increased tension and the fallout with the others are useful, too.
But then, again, there's my lovely habit of running a tad, er, long. I hold the belief, always, that a story is as long as it needs to be. At what point do I lose sight of that and lose everyone's attention in the meantime?
*thinkety thinks* I'll look it over again, see if it'll be a fit. Hell, if it's annoying or looks useless later, I can always cut it back out.
I am never going to finish this thing. Plotbunny Of Doom--
doom I say. ;^)
I'll sleep on it...and maybe break out a cartoon or two and dabble later on, if Child goes down to my mother's house for a while. ...Yes, I've been missing PSP. Time to get a fix. :^)